Bibliography
Important note
To allow more visibility to the researchers, scholars and writers I am quoting in this exegesis, I am using the APA referencing system with a twist: I am writing their whole first name(s) instead of the sole initial letter. I find it particularly important for women who often carry the name of their father or husband. Their first name is the only name that is their own.
A hanging paragraph presentation is not possible in SquareSpace.
REFERENCES
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Aufderheide, Patricia, Jaszi, Peter, & Chandra, Mridu. (2009). Honest truths: Documentary Filmmakers on ethical challenges in their work. Centre for Social Media and Social Impact. Retrieved from http://www.centerforsocial media.org/making-your-media-matter/documents/best-practices/honest-truths-documentary-film makers-ethical-chall
Aufderheide, Patricia. (2012). Perceived Ethical Conflicts in US Documentary Filmmaking: A Field Report. New Review of Film and Television Studies, 10(3), 362–86.
Australian Broadcasting Corporation. (1994). ABC code of practice. Retrieved from https://about.abc.net.au/reports-publications/code-of-practice/
Barry, Rebecca. (2013). I am a Girl. [Documentary]. Testify Media. Women Make Movies, TVF International.
Barry, Rebecca. (2021). The dark grey zone: ethics and power in documentary consent processes (Doctoral dissertation). Retrieved from https://opus.lib.uts.edu.au/bitstream/10453/149330/2/02Whole.pdf
Batty, Craig, & Kerringan, Susan. (2018). Screen Production Research: Creative Practice as a Mode of Enquiry. Alphaville: Journal of Film and Screen Media, 17, 215-220.
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Cowan, John. (1998). On becoming an innovative university teacher: Reflection in action: Reflection in action. UK: McGraw-Hill Education.
Crotty, Michael. (1998). The foundations of social research: meaning and perspective in the research process. London: Sage.
Crotty, Michael. (1998). The foundations of social Research). Sydney, Australia: Allen & Unwin.
Deigh, John. (2010). An Introduction to Ethics. UK: Cambridge University Press.
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Entrican Wilson, Eric, & Denis, Lara. (2022). Kant and Hume on Morality. Retrived from https://plato.stanford.edu/entries/kant-hume-morality/
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Gross, Larry, P., Stuart Katz, John, & Ruby, Jay. (1988). Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television. UK: Oxford University Press.
Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work. Retrieved on November 3, 2022, from https://cmsimpact.org/resource/honest-truths-documentary-filmmakers-on-ethical-challenges-in-their-work/#Preventing-resale-of-images
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Kerrigan, Susan. (2018). A ‘logical’ explanation of screen production as method-led research. In Screen Production Research - Creative Practice as a Mode of Enquiry. Switzerland: Palgrave Macmillan.
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Kissling, Elizabeth Arveda. (2022). Capitalizing on the Curse: The Business of Menstruation. USA: Lynne Rienner Publishers.
Lanthier, Joseph Jon. (2013). Chronicle of a summer: a review by Joseph Jon Lanthier for Slant Magazine. Retrieved from https://www.shrewsburyfilmsociety.org.uk/FilmNotes/ChronicleOfASummer.pdf
Mackie, John Leslie. (1990). Ethics: Inventing right and wrong. UK: Penguin.
Nash, Kate. (2009). Beyond the frame: A study in observational documentary ethics. (Unpublished doctoral dissertation). Australia: University of New England, Armidale.
Nash, Kate. (2012). Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary. UK: Routledge, Taylor & Francis Group.
Nash, Kate. (2012). Exploring Power and Trust In Documentary: A Study of Tom Zubrycki's Molly and Mobarak. Studies in Documentary Film, 4(1), 21–33.
Nash, Kate. (2012). Telling stories: the narrative study of documentary ethics. New Review of Film and Television Studies. Australia: School of English, Journalism and European Languages, University of Tasmania.
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Nuchi, Adah. (2017). Guide to Growing Up: Secrets, Tips, and Expert Advice on the Good, the Bad, And the Awkward. USA: Workman Publishing.
On-screen Protocols and Pathways: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories. (2019). Retrieved November 1, 2022, from https://iso-bea.ca/wp-content/uploads/2021/09/On-Screen-Protocols-Pathways.pdf
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Pryluck, Calvin. (1976). The Ethics of Documentary Filming. Journal of the University Film Association, 28(1), 21-29. USA: University of Illinois Press. Retrieved from https://www.jstor.org/stable/20687309
Pryluck, Calvin. (1976). Ultimately, we are all outsiders: The Ethics of Documentary Filming. Journal of the University Film Association. USA: University of Illinois Press.
Quinn, Gordon. (2016). Doc Ethics: Let Core Values Drive Your Decisions. Retrieved from https://www.documentary.org/column/doc-ethics-let-core-values-drive-your-decisions
Quint, Chella. (2021). Own Your Period: A Fact-filled Guide to Period Positivity. UK: QED Publishing.
Rughani, Pratāp. (2013). The Dance of Documentary Ethics. Documentary Film Book. London, UK: BFI.
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Schon, Donald, A. (1983). The Reflective Practitioner: how professionals think in action. NY: Basic Books.
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Stynes, Yumi, & Kang, Melissa. (2021). Welcome to Consent. Australia: Hardie Grant.
Stynes, Yumi, & Kang, Melissa. (2022). Welcome to Your Boobs. Australia: Hardie Grant.
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Vallery-Radot, Flore. (Director). (2021). Landscape [Film].
Zubrycki, Tom. (2004). Molly and Mobarak [Documentary].